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Colorado Springs Arts Blog ~ All Things Artistic in Colorado Springs

Archive for the 'Film' Category

Denver launches Arts Week today

November 6th, 2009, 9:21 am by wepstein

This arts bonanza actually can’t be contained in a week. It’s nine days long. Expect plenty of opera, art, concerts, plays … You can read The Denver Post’s overview here.

FRIDAY MORNING LINKS

November 6th, 2009, 8:29 am by wepstein

Tracy Mobley-Martinez did a terrific Q&A with Brad Sherwood, the “Whose Line Is It Anyway” guy who’s coming to the Pikes Peak Center with Colin Mochrie. Unfortunately, we were tight for space in GO! this week, so her story got sliced. Read the whole thing here.

Bill Reed did a preview of a guy playing at the Studio Bee Showcase on Thursday, and his interview will dissuade you from ever considering a career in music.

Lauren Arnest (yes, wife of that guy who used to set next to me) wrote brief previews of a show at Smokebrush and a Chamber Orchestra concert.

Noel Black does our cover story, an overview of the Rocky Mountain Women’s Film Festival, which is more than stereotypical chick flicks.

R. Scott Rappold does enviable research for his story about the All Colorado Beer Festival.

Nathaniel Glen waxes poetic about La Casita.

And Brandon tells you why you should tolerate Jim Carrey this season.

REVIEW: “Wicked” a top-notch spectacle with a not-so wicked second act

October 21st, 2009, 2:57 pm by tmobleymartinez
CHANDRA LEE SCHWARTZ and DONNA VIVINO in "Wicked" / Photo by Joan Marcus

CHANDRA LEE SCHWARTZ and DONNA VIVINO in "Wicked" / Photo by Joan Marcus

DENVER • Before buying a ticket to “Wicked,” you may want to ask yourself one question: Do I love, like or barely remember “The Wizard of Oz?”

Yes, the performances in “Wicked” are all top-notch and the production explodes on the Buell Theatre stage like a witchy Macy’s parade. But what drives this Tony-nominated über-hit, which plays through Nov. 15, is deep affection for the “Oz” canon.

In fact, if you’re a big enough fan to own a pair of ruby slippers — as at least one member of the packed house did on opening night — more the better.

But even then, this pat distillation of Gregory Maguire’s best-selling book rises only to the level of “Well, I’m glad I finally saw it.” That’s thanks, in large part, to a second act that has some clever moments but flounders to tie up loose ends.

Yes, I was surprised, too.

Read the rest of this entry »

REVIEW: FAC reflections on the landscape

October 18th, 2009, 12:54 pm by tmobleymartinez
Kay WalkingStick's "Nez Perce Crossing" appears in the FAC's gorgeous new exhibition "Personal Paradise."

Kay WalkingStick's "Nez Perce Crossing" appears in the FAC's gorgeous new exhibition "Personal Paradise."

Over couches. You see a lot of landscapes over couches and fireplaces, in hallways — anyplace people need to create happy windows to a world that is definitely not right beyond the wall.

Which is just fine. Even the ancient Greeks craved a nicer view.

In the Fine Arts Center’s new exhibition, “Personal Paradise: New Perspectives on Landscape Painting,” curator Tariana Nava-Nieves proposes an interesting twist on that familiar rubric: that the landscape can be more than painted postcards of the natural world; that for four artists here, anyway, it’s a mirror.

Read the rest of this entry »

REVIEW: Not enough fireworks in Pops concert

October 18th, 2009, 12:29 pm by tmobleymartinez

You could see the promise of “The Final Frontier,” the Colorado Springs Philharmonic’s pops tribute to sci-fi scores, in the encore.

The full-ish house cheered, wooped and clapped as the orchestra leaned into the opening strains of John Williams’ indelible score for “Star Wars.” You could almost feel the synapses sparking as memory, story and music all coalesced in that one all-too-brief selection. Read the rest of this entry »

Breckenridge mines gold for film fans

June 5th, 2009, 8:24 am by wepstein

FROM FREE-LANCE WRITER HENRY GERTZMAN

29th Annual Breckenridge Festival of Film

If you have never been to a film festival (or even if you have), the nearby town of Breckenridge is hosting one of the most exciting, most intimate, and most inexpensive film festivals in Colorado. This year it runs from Thursday, June 11 through Sunday, June 14.

There will be seven premier films, including the Colorado premier of Woody Allen’s new film, Whatever Works.
But the real attraction of the BreckFilmFest is the 63 independent films being shown. These are films that you will not have a chance to see anywhere else in Colorado. The independent films vary from 6 to 111 minutes long. They are divided into eight categories: comedy, short comedy, drama, short drama, documentary, GLBT (gay, lesbian, bisexual, & transgender), latin, and spiritual.

One very special guest attendee this year will be actress AnnaSophia Robb, the fifteen-year-old star of “Bridge to Terabithia.” Her new film, “Race to Witch Mountain,” will be shown Saturday afternoon, and Robb will be available to answer questions from the audience. Another special guest attendee will be the writer and director, Jonathan Glatzer, who’s premiere film, “What Goes Up,” is being shown Friday evening at the Festival.

One of the big attractions to attending a film festival like this is the chance for you to speak to many of the film stars and directors. You and other members of the audience can ask questions about the meaning of the film, how it was made, and much money it cost to make the film, and similar questions.

For a detailed description of each film, a schedule of when each film is being shown, and pricing information, go to the BreckFilmFest web site at www.breckfilmfest.com.

Want to find out about a city that respects the arts?

June 2nd, 2009, 5:08 pm by wepstein

COPPeR director Bettina Swigger went on a journey to Austin, Texas, with a bunch of local movers and shakers to find out how the heck the city ignited such a cultural explosion.

See what she found out on her blog.

Where’s the mayor’s vision about the arts?

June 2nd, 2009, 1:04 pm by wepstein

I just came from the mayor’s annual State of the City luncheon at the Antlers Hilton. (Rubber chicken was great, by the way. Go to our Dining blog to learn more about it.)

Mayor Rivera talked a lot about green industries and athletics, but I didn’t hear one word about arts and culture.

A recent study by the Cultural Office of the Pikes Peak Region (COPPeR) estimated that the nonprofit arts industry and its audience have a $94.7 million economic impact in the greater Colorado Springs area each year and generate 2,639 jobs.

The local athletics presence pales in comparison. Think about it. When a corporation decides to locate offices or headquarters, the quality of the cultural landscape is almost up there with a trained workforce.

In the Dream City: Vision 2020 results I’ve seen so far, a vibrant cultural scene figures in so many of the discussions. I was thrilled to hear the mayor quote from a Mike Moran’s Dream City column about his ideas of a vibrant sports scene here in the year 2020. But I’m surprised I didn’t hear at least a nod to all that’s going on and needs to go on to build an exciting center for the arts.

TheatreWorks will “Return to Forbidden Planet”

June 1st, 2009, 4:00 pm by wepstein

I was bummed when I heard that TheatreWorks had canned what promised to be the weirdest item of its summer schedule: “The Donkey Show,” a cabaret spin-off of “A Midsummer Nights Dream.”

But it’s being replaced by something that sounds even more weird and wonderful: “Return to Forbidden Planet,” a rock and roll musical loosely based on the classic 1956 science fiction movie, which in turn is loosely based on William Shakespeare’s THE TEMPEST. The musical, written by Bob Carlton, combines a hilarious mish mash of Shakespearean verse with two dozen classic rock and roll songs of the 1950’s and 1960’s.

Sounds awesome. I’m such a fan of both that play and the film.

TheatreWorks will hold auditions Sunday, June 7, from 1-4pm in the Dusty Loo Bon Vivant Theater at the UCCS campus.

Each candidate should prepare 16 bars of song and be prepared to read from the script. A piano accompanist will be present.

Some roles in this production have been cast, but many others are still open, including the part of the lovely Miranda, a teenager in love, Ariel, the singing robot, and a back-up spaceship crew of doo-wop singers.

The show will be presented in a nightclub format in the Gallery of Contemporary Art for eight performances on Friday and Saturday nights, Aug. 14-Sept. 5.

All auditions are by appointment, which may be scheduled by calling THEATREWORKS at 255-3232 or emailing theatreworks@theatreworkscs.org

For more details about TheatreWorks’ season, click here.

Bob Pinney Memorial a Moving Tribute

May 5th, 2009, 11:41 am by twallinger

Last night’s memorial to Bob Pinney at the Dusty Loo Bon Vivant Theatre was a huge success. Kudos to Murray Ross and his team for putting together a memorial which was truly worthy of the man.

The evening began with a hilarious mockumentary by Rick Zarhadnik describing Bob’s alleged rise to the top of the entertainment world (did you know Bob was the original Dracula AND Superman AND Batman AND the Blob?). Originally produced as a roast for Bob after the 2005 TheatreWorks production of “King Lear”, the film also featured interviews with the other actors from that show in which they dished the inside dirt on Bob, all of it with tongues planted firmly in cheeks.

Next, Murray gave a funny, heartfelt talk about the trials, tribulations–and yes, treasures–of working with Bob.

After that, the podium was opened up to anyone who wanted to speak. Of the roughly 120 people who were there, about 20 took up the offer. Most of them were fellow thespians who told story after wonderful story of what it was like to share the stage with such a great man.  But there were also quite a few from outside the theatre community and they all attested to the fact that Bob was just as great a man off the stage.

The program ended with a filmed excerpt from one of Bob’s most moving performances, as Krapp in the 1995 TheatreWorks production of Samuel Beckett’s Krapp’s Last Tape.

Finally, everyone swarmed into the lobby for food and drinks. The program starting at 6PM, and it was 9PM before everyone could tear themselves away from the feeling of warmth and conviviality that permeated the evening.

All in all, it was a touching tribute with quite a few tears but even more laughs. I never got to meet Bob myself, but something tells me that’s exactly how he would have wanted it.

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