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Archive for the 'Opera' Category

REVIEW: ‘MacHomer’ rewards ‘Simpsons’ fans with hyperactive humor

November 6th, 2009, 4:16 pm by twallinger
  
Rick Miller IS MacHomer (and, oh, 50 others)

Rick Miller IS MacHomer (and, oh, 50 others)

“MACHOMER”

When: 7:30 p.m., Friday, Nov. 6; 2 p.m. and 7:30 p.m., Saturday, Nov. 7 through Sunday, Nov. 8

Where: Dusty Loo Bon Vivant Theatre, 1420 Austin Bluffs Parkway

Tickets: $12.50-$35, 255-3232.

Grade: B+

 

And some people think Robin Williams needs medication…

Rick Miller brings “MacHomer”–his wildly acclaimed, one-man mashup of Shakespeare and the Simpsons–to the Bon Vivant this weekend. And before I get any further, I have to admit that I haven’t seen an episode of “The Simpsons” in my life (yeah, I know, I’ve missed one of the great sitcoms in TV history but, in my defense, I don’t watch much of the tube at all).

Read the rest of this entry »

Denver launches Arts Week today

November 6th, 2009, 9:21 am by wepstein

This arts bonanza actually can’t be contained in a week. It’s nine days long. Expect plenty of opera, art, concerts, plays … You can read The Denver Post’s overview here.

Central City Opera program to perform in Colorado Springs

November 3rd, 2009, 10:19 am by tmobleymartinez

 

A scene from Britten's "Paul Bunyan" performed by students of the Central City Opera's 2004 Bonfils-Station Foundation Artists Training Program.

A scene from Britten's "Paul Bunyan" performed by students of the Central City Opera's 2004 Bonfils-Station Foundation Artists Training Program. / Photo credit Mark Kiryluk

 

“OPERA ROCKS THE ROCKIES”

When:  7 p.m. Friday, Nov. 6

Where: Colorado Springs Conservatory, 1600 N. Union Boulevard

Admission: Free; 577-4556, centralcityopera.org

 

So you missed the summer season at Central City Opera.

On Nov. 6, the company is coming to the Colorado Springs Conservatory as part of ”Opera Rocks the Rockies,” a week-plus tour of the state. In its 13th year, they perform for more than 100 communities and about 100,000 people.

The award-winning program features Bonfils-Station Foundation Artists Training Program students Claire Kuttler, Amanda Russo, James Baumgardner and Jonathan Cole as well as graduate and doctoral level students in Colorado State University’s opera theatre program, including Margaret Higginson, Wei Wu and accompaniest Beth Nielsen.

They will perform the “Flower Duet” from Puccini’s “Madama Butterfly” as well as vignettes from Mozart’s “Don Giovanni,” Offenbach’s “Orpheus in the Underworld,” Ned Rorem’s “Our Town” and other works.

Want to find out about a city that respects the arts?

June 2nd, 2009, 5:08 pm by wepstein

COPPeR director Bettina Swigger went on a journey to Austin, Texas, with a bunch of local movers and shakers to find out how the heck the city ignited such a cultural explosion.

See what she found out on her blog.

Where’s the mayor’s vision about the arts?

June 2nd, 2009, 1:04 pm by wepstein

I just came from the mayor’s annual State of the City luncheon at the Antlers Hilton. (Rubber chicken was great, by the way. Go to our Dining blog to learn more about it.)

Mayor Rivera talked a lot about green industries and athletics, but I didn’t hear one word about arts and culture.

A recent study by the Cultural Office of the Pikes Peak Region (COPPeR) estimated that the nonprofit arts industry and its audience have a $94.7 million economic impact in the greater Colorado Springs area each year and generate 2,639 jobs.

The local athletics presence pales in comparison. Think about it. When a corporation decides to locate offices or headquarters, the quality of the cultural landscape is almost up there with a trained workforce.

In the Dream City: Vision 2020 results I’ve seen so far, a vibrant cultural scene figures in so many of the discussions. I was thrilled to hear the mayor quote from a Mike Moran’s Dream City column about his ideas of a vibrant sports scene here in the year 2020. But I’m surprised I didn’t hear at least a nod to all that’s going on and needs to go on to build an exciting center for the arts.

Highs and lows of weekend arts stuff

March 2nd, 2009, 11:11 am by wepstein

10 Minutes Max proved the best yet, in part because Birgitta De Pree’s character of Babette, the co-emcee, continues to get so much bigger and better.

Poet Kaleena Kovach was startlingly good. Passionate. Inventive. Patrick McConnell’s bit about Columbia House Records is worthy of a one-man road show. Great, great stuff.

The FAC art openings were also terrific. Loved the abstract show, which featured some of our best local artists in the genre. And the Glass show was funny and amazing.

Then there was the opera. “Street Scene.” Our reporter Tracy had given a fairly glowing review of the show. I have to say, I thought it was a horrible choice. From a historic perspective, it was fascinating. But as entertainment, not so much.

At intermission my friend Demeter made a thoughtful observation: This show came out in New York at the same time as “Oklahoma.”

“Oklahoma” should be more dated in its innocent exuberance. This edgier, darker show is certainly more in line with today’s artistic ethic.

But that darker subject, franker style just makes the over-the-top melodrama more silly. (I recognize that in comparing musical theater to opera with musical theater flourishes, is comparing apples to pears, but still…)

The singing was lovely, especially that of the Italian ice cream man.

But it just didn’t work. Am I the only one who felt that?

Kennedy Center to Help Struggling Arts Organizations

February 5th, 2009, 5:07 pm by twallinger

Recognizing the financial crisis hitting arts organizations across the country, the John F. Kennedy Center for the Performing Arts in Washington, D.C. announced Tuesday a new program to help those organizations survive.

Called Arts in Crisis, the program is open to all 501(c)(3) performing arts organizations in the United States. In most cases, all that’s required is to fill out a relatively short online request. Kennedy Center President Michael Kaiser or other members of the executive staff will then contact the organization to give free, confidential counsel in specific areas such as fundraising, budgeting and marketing.

They helped the Louisiana Philharmonic Orchestra survive the aftermath of Hurricane Katrina and gave guidance that allowed Dance Theatre of Harlem to reorganize and reopen just six weeks after closing due to financial difficulties.

They can help your organization too.

For more information or to request assistance, go to:

http://www.artsincrisis.org/

Extended version of Sckolnik’s commentary

November 10th, 2008, 3:35 pm by wepstein

It ‘ain’t often that I leave my home on Thursday nights. NBC’s stellar lineup of comedy and satire- Earl, Kath and Kim, The Office and 30 Rock- together almost justify my HDTV set up. But I’m happy to say that I’ve been inhabited by The Dybbuk, and flat-screen reality just won’t cut it anymore.
Rarely will any of us have the chance to see a performance of the “living” arts with so many so completely committed to its excellence. The Dybbuk Project: a Multimedia Chamber Opera was composed and written by Colorado College music professor Ofer Ben-Amots. The work parlayed a startling synthesis of disparate elements to produce a haunting and transformative evening of music and theatre for its American premiere at CC’s Cornerstone Arts Center last week. This work should provide Ofer the vehicle to reach a much greater audience than he has ever before.
The music was always engaging as he appropriately centered this exploration of Jewish mysticism and literary tradition around ancient melodic and harmonic styles even as the modern world of music was present. The instrumentalists led by Susan Grace’s relentless keyboard expression and Gilad Harel’s incomprehensible virtuosity and theatricality on the clarinet were all ideal. CC grad Jeremy Wilhelm and Israeli mezzo Yahli Toren nicely underplayed roles that could have been repelling if portrayed too dramatically. The composer’s deft touch with choral composition was beautifully portrayed by a female chorus from the Colorado Springs Children’s Chorale.
The multimedia part of the evening was the work of video maven Sheri Wills who always had a fascinating, if at times confusing, image projected on the rear of the stage. There could found integrated translations of the mostly Hebrew libretto. CC prof Tom Linblade miraculously made it all work theatrically, although the comedic attempts of the two mimes, who assisted in the story line, seemed out of place.
The story line? - search dybbuk on the internet and you’ll get a sense of how strange of a love story this is. There are flaws – Act I is at times porous and tough to follow and the work needs its dramatic balance worked upon – but by the evening’s end, Ofer had his vision realized. The Cornerstone Center was not built for our community, but if the college is going to provide us with cutting edge art such as this and, in this case for free, then we are making out pretty darn good on this deal.

Original opera comes to life at CC

October 23rd, 2008, 1:26 pm by wepstein

If you want to know why CC is excited about the opera Dybbuk, check out this video.

Here’s some more info about the opera and a related lecture:

Thursday, October 30, 2008
Ofer Ben-Amots: Pre-Concert Lecture on ‘The Dybbuk’Lecture: Ofer Ben-Amots: Pre-Concert Lecture on “The Dybbuk”
Ofer Ben-Amots, the composer of the chamber opera “The Dybbuk,” will present a pre-concert lecture. The opera is the story of transcendent love between two ill-fated lovers, woven into a beautiful chamber opera with the key ingredients of grand opera – love, death, mysticism, drama, humor and tragedy – stunningly evoked by the singers and the musicians who become part of the Kabbalah narrative.
7 p.m., Screening Room, Edith Kinney Gaylord Cornerstone Arts Center, 825 N. Cascade Ave. (map), free

The Dybbuk: The concert
The Dybbuk is a chamber opera composed by CC Music Professor Ofer Ben-Amots and directed by CC Drama Professor Tom Lindblade. It is the story of transcendent love between two ill-fated lovers, woven into a beautiful chamber opera with the key ingredients of grand opera – love, death, mysticism, drama, humor and tragedy – stunningly evoked by the singers and the musicians who become part of the Kabbalah narrative. Performers include Yahli Toren as Leah (soprano); Gilad Harel as Hannan (clarinet); Jeremy Wilhelm as rabbi and messenger (baritone); Rebecca Siegel as Korogu 1 and Bryndon Tarafa as Korogu 2. Other performers include Yumi Hwang-Williams, violin; Inbal Megiddo, cello; Susan Grace, piano; Asaf Roth, percussion; the Colorado Springs Children’s Chorale; and Sheri Wills as digital media designer and videographer.
7:30 p.m., Edith Kinney Gaylord Cornerstone Arts Center, 825 N. Cascade Ave. (map), free

Arts Summit starts the ball rolling

October 21st, 2008, 12:54 pm by wepstein

The first COPPeR Arts Summit drew 150 artistic types to the East Library on Saturday.

My favorite moment: New philharmonic director Nathan Newbrough was talking about how Colorado Springs has a “second city” complex.

NATHAN: We can’t say we’re that good because we’re not Denver. That’s bollocks!
SUSAN EDMONDSON: He said “bollocks”!

This thing was part of the wider Dream City: Vision 2020 initiative, a project designed to involve a wide swath of our community in discussions about our future.

Some good ideas came out of it:
• Create a Pikes Peak or Bust Festival on Barr Trail and the summit of Pikes Peak, capitalizing on the natural and created beauty here. I think that’s brilliant. (Kathleen Collins, who’s on the boards of everything, came up with that one.)
• Revive the arts bus to take people to arts events and call it Van GO! (That wasn’t there spelling and punctuation; I’m taking liberties.)
• Create an arts meter, next to parking meters where people could donate “common cents” to the arts. (Homeless advocates recently came up with a similar idea, and I think it could work for both causes.)
• Create an Arts Pass that would give you a bundled, discount ticket to various local arts events.
• Work more collaboratively on the administration side. Plenty of arts groups do shows together, but this idea goes a step further. Plenty of arts groups would like a paid staff worker who works 8 hours a week. Instead, several groups could share one worker.
• Develop richer arts districts.
• Build arts/community centers throughout the region.
Another important theme was inclusivity. Local artist and writer Roberta Rand wrote a fine essay about that. Here’s an excerpt. (You can read her entire essay, as well as other comments on the arts summit at the Colorado Springs Arts Blog: csartsblog.freedomblogging.com.

From Diversity to Inclusivity:
A Sticky Wicket for Colorado Springs
By Roberta Rand
Back in the heyday of Citizens Project, circa 1993, I was on my way to a meeting downtown when I came upon a long string of cars parked along Nevada Avenue, all with “Celebrate Diversity” bumper stickers strategically placed on their left bumpers. Oh, the irony – and me without my instamatic camera . . .
Fast forward to last Saturday and the Arts Summit sponsored by COPPeR. I sat at a table with the best and the brightest of the Springs creative community; dancers, musicians, painters and writers. Our assignment: brainstorm a plan to re-brand Colorado Springs as an arts-centric city. We all agreed, at least in theory, that it’s time to move beyond the “celebrate diversity” message to a new spirit of inclusiveness. After all, we’re all in this together. We are the world, right?
And yet, the prevailing view (at least among the sampling at our table), was that the real arts and artists reside downtown and on the West side. Even then, they bemoaned the kitsch factor in Old Colorado City — galleries that cater to tourists with Precious Moments collectibles and schlocky takes on Native American culture.
But it’s precisely this “us vs. them” attitude that presents the biggest hurdle to a true spirit of community among art lovers in Colorado Springs. Artists are a notoriously snobbish and opinionated bunch. Deep down we really don’t want to get along; we’d just as soon annihilate the unenlightened hicks who collect G. Harvey prints and howling coyote figurines. The same goes for those who view any culture south of Briargate as dangerous, depraved and unfit for Christian consumption.
If we are to achieve authentic status as an “arts city” — and not just a series of bastions guarded by our own prejudices of what constitutes “Art,” we must begin to relate to one another as worthy human beings connected by our shared humanity. Kierkegaard said, “When you label me, you negate me.” It’s time to get past the attitude that I am right and YOU are the enemy because we don’t share the same values, political views, religious convictions – or shi-shi Zip code. Intolerant attitudes poison liberal and conservative minds alike. As long as we persist in emphasizing the “other”-ness of people who don’t see the world as we do, the Springs will remain a collection of disjointed cultural fiefdoms.
Celebrating diversity is easy, because you can do it from a distance. Inclusivity, on the other hand, is hard work. It requires engaging with people you may not like or understand. What all of us who love creativity and self-expression must ask ourselves is whether we really do want to get along – or would rather go on as we always have, sticking with our own kind.

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