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Archive for the 'Arts Summit' Tag

Arts instigator wonders why we don’t go crazier for the Phil

October 29th, 2008, 8:39 am by wepstein

I saw my first Colorado Springs Philharmonic concert of this season on Saturday night and a flood of musings and reflections came pouring into in my head as a result. First and foremost: Wow! How is it possible that this community doesn’t go mad for these offerings every time they happen? Those who took the easy leap of faith and ventured downtown on this gorgeous evening will all say the same. It looked to be three-fifths of a house, so there were plenty of seats to be had.

The product we beheld was absolutely stunning: The Pikes Peak Center remains the best place within 1,000 miles to hear an orchestral or opera performance. The sound is rich and reverberant, and its visual setting is equally engaging. The stage was packed with more than 80 professionals … that’s right — musicians with degrees and on-the-job experience that would make your finest physician or attorney blush with inadequacy.

Conductor Lawrence Leighton Smith looked to be dragging on his way to the podium — an impression instantly dispelled when he gave the downbeat on this two-plus hours of music.
The concert began with the mushy but sonically stimulating “Death and Transfiguration” of Richard Strauss but was transformed by American music — the First Symphony of Samuel Barber. Defying conventional wisdom, the second and far more strident and edgy of the opening works, swept the crowd away through its undeniable intensity, rhythmic relentlessness and soul-searching aura — even though few had heard it before. The Orchestra feasted on the challenge, and it showed.

After an intermission that gave everyone a chance to share the excitement of the moment, cellist Daniel Lee from the St. Louis Symphony gave an almost perfect and emotionally charged reading of one of the repertoire’s great challenges — the Elgar Cello Concerto — with the orchestra matching his intensity and commitment. Although we already had had our fair share of musical magic, there was still the raucous “Rumanian Rhapsody No. 1” by Georges Enescu to come.

After an evening of intense explorations of the human condition, its meaningless orgy of symphonic sounds and folk melodies was the perfect prescription to send us all home strutting and humming.
So here’s the deal: anybody, regardless of their musical inclination, would have loved this concert. Classical music in these parts remains some sort of sacred cow that everyone admires but far too few deem worth the worship. The press certainly doesn’t help much. Our TV stations gave lots of airtime to the orchestra when it was teetering on extinction back in 2003, but barely acknowledge its existence now that normalcy has ensued. The product is just not hip enough for The Independent, which seems to truly know what really is good art and what is just your grandfather’s embarrassing excesses.

I still can never understand how The Gazette can let an event that more than 2,000 attend and could accommodate close to 4,000 not get marquee coverage every time — sorry folks, there’s just nothing of this kind of consistent quality that comes close around here. This concert received but a blurb on Page 3 of this section; albeit a long overdue and pleasant profile of Nathan Newbrough, the Philharmonic’s new executive director, appeared in the Gazette’s Life section on the day of this concert. (I can’t help but mention that almost two months ago my far more hard-hitting interview with this man, who is trying to rescue this organization from spinning out of orbit, graced the pages of Springs Magazine.)

The Arts Summit held the previous weekend inspired me to conjure up an image (perhaps you’ve heard it before) of what the arts are for this community: a pig with lipstick on it. We who live in and love the arts know this couldn’t be further from the truth. But that’s how it occurs for 99 percent of the people in the Pikes Peak region. Peakradar.com has done a fine makeover on our prized possessions, but the phone’s just not ringing like it should.
Trust me on this one — there’s nothing “sausagey” about the symphony. You can’t count on this message coming to you from the media. Just plop down twenty bucks and go to a concert. Wear what you like, bring your grandmother — she’ll be mightily impressed with you. I know it’s not “Dancing with the Stars” — but it is communing with the gods.
David Sckolnik

Fine Arts Center has schmooze for new director

October 24th, 2008, 7:52 am by wepstein

Sam Gappmayer, the new executive director of the Fine Arts Center, made his official debut Thursday night at a reception of board members and guests.

The guy’s been in town for weeks and I’ve yet to hear any dirt on him or even any unkind opinions. That’s amazing.

He gave a quick talk Thursday about his take on why the arts are so important … certainly a preaching-to-the-choir moment.

Sam came here from Sun Valley Center for the Arts in Ketchum, Idaho, where he was something of a wiz in fund-raising. He’ll need to use those skills here.

We have this amazingly expensive remodeled arts center, and we need programming and a budget worthy of it.

I think about the old Hungry Farmer restaurant, which was remodeled into a gorgeous Ranch Steakhouse and Rock Fire Grill … and now it sits empty. Through its many reinventions, it was often a fine restaurant and served great food. But so much was spent on the remodel, and the restaurant was so large, that nobody could figure out how to make a go of it.

The new Fine Arts Center also is big. It’s a hungry beast that needs to be fed. It can’t afford to sit dormant with even one dud of a show.

Sam will need to be ambitious. He’ll need to revive the kind of excitement that DeMarsche brought to the center while creating the kind of open, collaborative atmosphere Michael couldn’t achieve.

Sam’s not as big on the huge blockbuster traveling art shows as Michael was, and I understand that you can’t build your entire business model on them. But it seems that the energy for the center has waned among the wider public, and he needs to make a big splash to remind us of how amazing this center can be.

ON A RELATED NOTE:

One point that came up at last week’s Arts Summit was the need to draw Fort Carson to the arts scene.

The Fine Arts Center’s Alan Osburn has been trying to do just that with his production of “Biloxi Blues.” Neil Simon’s dramedy about boot camp should be a natural for the soldiers, but even discounts haven’t lured many.

Fortunately, El Pomar recently kicked in a $1,500 grant to give the soldiers free tickets to the show, and many have been taking advantage of it.

ON ANOTHER RELATED TANGENT…

Amy Brooks, one of the best actresses in town, had played the mother in “Brighton Beach Memoirs” last year. She auditioned for the part in “Biloxi” of the hooker who provides Eugene (yes, played by the same kid who played her son last year) with his first sexual experience. Amy’s so versatile and beautiful, she easily could have pulled off the part of the hooker.

But as Alan talked to others about casting her in the role, they all had the same reaction I would had: “Icky!”

Certainly, we’ll see Amy appear in a future production of “Oedipus Rex.”

Arts Summit starts the ball rolling

October 21st, 2008, 12:54 pm by wepstein

The first COPPeR Arts Summit drew 150 artistic types to the East Library on Saturday.

My favorite moment: New philharmonic director Nathan Newbrough was talking about how Colorado Springs has a “second city” complex.

NATHAN: We can’t say we’re that good because we’re not Denver. That’s bollocks!
SUSAN EDMONDSON: He said “bollocks”!

This thing was part of the wider Dream City: Vision 2020 initiative, a project designed to involve a wide swath of our community in discussions about our future.

Some good ideas came out of it:
• Create a Pikes Peak or Bust Festival on Barr Trail and the summit of Pikes Peak, capitalizing on the natural and created beauty here. I think that’s brilliant. (Kathleen Collins, who’s on the boards of everything, came up with that one.)
• Revive the arts bus to take people to arts events and call it Van GO! (That wasn’t there spelling and punctuation; I’m taking liberties.)
• Create an arts meter, next to parking meters where people could donate “common cents” to the arts. (Homeless advocates recently came up with a similar idea, and I think it could work for both causes.)
• Create an Arts Pass that would give you a bundled, discount ticket to various local arts events.
• Work more collaboratively on the administration side. Plenty of arts groups do shows together, but this idea goes a step further. Plenty of arts groups would like a paid staff worker who works 8 hours a week. Instead, several groups could share one worker.
• Develop richer arts districts.
• Build arts/community centers throughout the region.
Another important theme was inclusivity. Local artist and writer Roberta Rand wrote a fine essay about that. Here’s an excerpt. (You can read her entire essay, as well as other comments on the arts summit at the Colorado Springs Arts Blog: csartsblog.freedomblogging.com.

From Diversity to Inclusivity:
A Sticky Wicket for Colorado Springs
By Roberta Rand
Back in the heyday of Citizens Project, circa 1993, I was on my way to a meeting downtown when I came upon a long string of cars parked along Nevada Avenue, all with “Celebrate Diversity” bumper stickers strategically placed on their left bumpers. Oh, the irony – and me without my instamatic camera . . .
Fast forward to last Saturday and the Arts Summit sponsored by COPPeR. I sat at a table with the best and the brightest of the Springs creative community; dancers, musicians, painters and writers. Our assignment: brainstorm a plan to re-brand Colorado Springs as an arts-centric city. We all agreed, at least in theory, that it’s time to move beyond the “celebrate diversity” message to a new spirit of inclusiveness. After all, we’re all in this together. We are the world, right?
And yet, the prevailing view (at least among the sampling at our table), was that the real arts and artists reside downtown and on the West side. Even then, they bemoaned the kitsch factor in Old Colorado City — galleries that cater to tourists with Precious Moments collectibles and schlocky takes on Native American culture.
But it’s precisely this “us vs. them” attitude that presents the biggest hurdle to a true spirit of community among art lovers in Colorado Springs. Artists are a notoriously snobbish and opinionated bunch. Deep down we really don’t want to get along; we’d just as soon annihilate the unenlightened hicks who collect G. Harvey prints and howling coyote figurines. The same goes for those who view any culture south of Briargate as dangerous, depraved and unfit for Christian consumption.
If we are to achieve authentic status as an “arts city” — and not just a series of bastions guarded by our own prejudices of what constitutes “Art,” we must begin to relate to one another as worthy human beings connected by our shared humanity. Kierkegaard said, “When you label me, you negate me.” It’s time to get past the attitude that I am right and YOU are the enemy because we don’t share the same values, political views, religious convictions – or shi-shi Zip code. Intolerant attitudes poison liberal and conservative minds alike. As long as we persist in emphasizing the “other”-ness of people who don’t see the world as we do, the Springs will remain a collection of disjointed cultural fiefdoms.
Celebrating diversity is easy, because you can do it from a distance. Inclusivity, on the other hand, is hard work. It requires engaging with people you may not like or understand. What all of us who love creativity and self-expression must ask ourselves is whether we really do want to get along – or would rather go on as we always have, sticking with our own kind.

Give your feedback about the future of the arts scene

September 23rd, 2008, 8:53 am by wepstein

From Bettina Swigger:

The arts community in the Pikes Peak region is growing and thriving. In order to determine how we can effectively move forward as a community, COPPeR is conducting this survey and hosting the 2008 Arts Summit.

Here’s the survey: http://survey.constantcontact.com/survey/a07e2d3zp1dfl84enew/start

This FREE Arts Summit will be on October 18 at East Library, 10:30 a.m. - 2:30 p.m. To register, visit www.coppercolo.org/2008ArtsSummit.htm

We will use the feedback gathered in this survey at the summit to reach consensus about our needs. Results from the survey will also inform our cultural planning process.

Visioning and cultural planning create pathways toward deeper engagement with community that can make our work in the arts more purposeful, rewarding and meaningful.

Please forward this survey to your performers, constituents, board members, and any other people you think would be interested. We want to get as much feedback as possible to ensure that the depth, breadth, variety and diversity of our arts and culture community is reflected!

Bettina Swigger
Executive Director
COPPeR (Cultural Office of the Pikes Peak Region)
719.634.2204
www.coppercolo.org
bettina@coppercolo.org

Connecting residents and visitors with arts and culture to enrich the Pikes Peak Region.

Mailing address: PO Box 190, Colorado Springs, CO 80901
Physical address: 102 S. Tejon St. Ste. 105-A

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